Violins

Hither and Yon

From this.....

From this…..

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to this, in just a couple of easy months!

Finally, we have come to the end of the tales of my mother’s violin, and all the follies surrounding its place in our family’s lore. Over the years we admittedly rolled our eyes but also tried to sympathize with the mythic status it held for her (she always referred to it as “the Guarnerius” even though my father would chide her as he knew there was a virtual certainty that the label inside it was a fake and that it was no Guarnerius, but rather something else entirely, though no one knew quite WHAT it actually was. The sad thing is that he, with a doctorate in musicology, would have so enjoyed the process of figuring out the mystery of its true provenance, but even he couldn’t handle the idea of separating mother from her beloved fiddle and the family legends that surrounded it, even years after she was no longer capable of playing it. So there it sat for a decade, and like their enormous house, the whole issue fell to us to resolve. Once the decision had been made to sell it, the process of determining what it in fact was, and doing what we needed to do to get it out of our rather sad clutches and off to a new life somewhere, took on a life of its own.

Finally, after having been flown hither and yon, cleaned and examined, scrutinized and evaluated by both Christie’s and Sotheby’s in New York and London, and lastly Ingles and Hayday, the new firm started by the former stringed instrument experts at Sotheby’s, the violin was accepted for auction in London on October 29. “Let’s go”, said Arnold, always eager for a travel adventure and thinking it would be appropriate for him, me and Wendy to all be present for the final step in our family’s caring for this iconic heirloom. Kind of like those Piaget watch ads where the mother is wearing the Piaget watch in a domestic scene with her little girl, and the ad says “you don’t own this, you just take care of it for the next generation”. The wood in the violin was dated to 1681 and thus that violin has been around a long, long time. So maybe close to a hundred years in our family and then, on to its next stop.

Wendy was dying to go to London anyway, and we all agreed it would be fun to jump on the Eurostar and include Paris in the visit (why not…it is SO close….we all said). So we cashed in a bunch of miles so we could go Business Class as a treat and respite from all the dust and chaos of remodeling, and off we went. The timing was perfect because Arquitecto Roberto suggested that as the guys were going to be taking out the massive (beautiful but leaky, dangerous, and damaged) skylight in our living room and replacing it with far safer and more practical glass block, the next couple of weeks would be a really convenient time for us to be GONE. How could we resist? We knew the removal of the skylight was going to be a nightmare of noise, falling glass, possibly perilous for us and the pets, and Rosa insisted that she was happy to stay in the house, and take care of everything while we were away.

So on October 16 we got on a plane for Atlanta, thence nonstop to Paris where we spent a delightful ten days or so. We all just loved it, had some wonderful food and shopping, spent hours in various museums, saw my young cousin Katie who lives there with her family. We all drank in the civilization, the quality of everything – and yes, the expense. The elegance of the Parisian women, the interesting way London has become a truly global metropolis. It was interesting to sit in restaurants next to Muslim women with headscarves and contrary to our perception of them as oppressed and miserable, they were chatting, laughing, and at least outwardly seeming to be having a great time out and about in the city. We saw great art, wonderful shops, and admired the smoothly functioning and readily accessible public transport in both cities. I prowled around Westminster Abbey for old times’ sake (back in the day, it was a major grantee of the Skaggs Foundation and part of my honeymoon in England was spent on a memorable site visit there). We took tour buses and gaped at Big Ben, the Eiffel Tower, saw the Crown Jewels, had fish and chips in pubs, ate all the Poilâne bread we could cram into ourselves, and walked both cities for hours on end.

However, shortly before it was time for us to head for London, I knew I was coming down with some awful cold thing. Horribly sore throat, fever, chills, coughing, sneezing, the whole nine yards. I knew that the stress of the last few days at home getting ready to leave, combined with the noise and dust and chaos of the house, had gotten to me at last. I had a big list of things I wanted to do in both cities but I just felt too awful to press on after awhile, with fever and chills and aches and all that. I soldiered on as best I could but by the time we got to London I was too sick to even contemplate getting out of bed, so I thought I’d just take a couple of days off and try to lick the bloody bug.

It helped, but sadly, I was just too sick to go to the violin auction itself. Wendy and Arnold went, off on the red double-decker bus down to Oxford Circus and Sotheby’s, where the auction was held and I stayed back in our rented flat trying to get some rest. When they came back later that day, they reported that it had all been rather perfunctory and that in fact I hadn’t really missed much, though they were very glad they had gone. My mother’s violin was Violin #8 in their beautiful printed catalog. The theory of the Sotheby’s folks was that rather than having been a Guarnerius it was a Venetian maker, late 18th century, and that was pretty much that. A dealer had expressed an interest in it when the violins (and there were some in the auction that sold for six figures) were available for inspection and playing, and he ended up purchasing it for the reserve price of £11,000, about $17,000 USD. There were no other bidders. We were both relieved that it had sold relatively painlessly but of course, our secret hopes for a last-minute Antiques Roadshow moment where we found ourselves in possession of a half a million bucks were forever dashed.

We would have liked to have met the buyer and told him all about the violin’s history with our family, sentimental types that we are. We thought for sure someone would be interested in its coming to the U.S. from Hungary close to a century ago with my grandfather, its having been a wedding gift to my mom, its life with our very musical family, the hours it played chamber music in my parents’ living room, and so forth. But, apparently not. He picked up the fiddle and the two bows that were sold with it, wrote out a check, paid for it and was gone. The funds are to be wired to our bank account, after they deduct the auction house’s costs – commissions, the back and forth to London for study, cleaning and so forth. We split it with my sister and that was to be the end of that.

Well, sort of.  For many years when my niece Saida was a young girl and later an art student, my mother promised her a trip to Venice when she graduated from college. Saida of course took this promise seriously but when she did graduate years later my mother had become too sick and frail to go, aside from which we honestly think she had forgotten all about it. So we decided to hit the reset button on that one and both in honor of my mom and to make good on her old promise- especially since my mother loved Venice more than anything in the world and the violin is now thought to have been Venetian – the three of us decided that if the violin sold for anything reasonable at all, we would use  some of the proceeds to take Saida and her husband to Venice finally after all these years. Now, a couple of weeks after our return, a very thrilled and excited Saida and Eric are now figuring out child care and such for next year and we are planning yet another European jaunt with them. It will be a lot of fun and we can only hope that if Mamá is looking down from that Great Saks Fifth Avenue in the Sky, that she would approve.

Meanwhile we are still slogging through the construction here, though we actually are contemplating the end of it, or at least the end of the worst of it. My office is done and I have moved what I can into it, with an odd assemblage of boards-and-bricks, folding card tables and baskets, and cartons still unpacked serving as tables to set things down on. Soon we will bring over some real furniture from the other house, which of course still hasn’t sold, and it will be a little more civilized in here. But I love the space…it is everything I wanted, light, bright and airy with a filtered view of the lake and a spectacular view of the mountains behind Ajijic. All mine to enjoy through enormous glass pane windows until the lot next door gets sold off for a condo complex or something equally dreadful and the wonderful, open vista toward the cerro (hill) is blocked.

But at least right now there is no sign of that happening and it is really beautiful to see the mist and sun alternating on the tops of the hills as we move into the winter here. The snowbirds are back; it is impossible to park in town, but it’s all part of the great circle of life, I guess. I am pretty much over the horrid bronchitis and sinus infection my cold had become, thanks to some killer antibiotics and cough medicine from the doctor. I gave it to Arnold and Wendy for which I feel very guilty but they seem to be surviving, though coughing, hacking and dripping along with me, as well. With any luck in a couple of weeks we will all be over this wretched thing and we can carry on without having to have boxes of Kleenex at our sides.

M is for Mahler

On the prowl at Uniqlo, hunting for great t-shirts on sale!

On the prowl at Uniqlo, hunting for great t-shirts on sale!

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At B&H Photo, waiting for our electronic toys to be delivered to the pickup desk from the bins overhead!

Poor Arnold off in the distance, having to lug my packages

Poor Arnold off in the distance, having to lug my packages

It was a whirlwind trip to New York, and a nice diversion from the waiting, waiting, waiting for our interminable visa and real estate messes to resolve themselves. So, well, why not opt for a little retail recreation while we remain on hold?  We stayed in my favorite hotel on the Upper West Side, where we’re near all Arnold’s favorite haunts (Zabar’s!) and within walking distance of Lincoln Center. The hotel folks are getting to know us and are willing to do nice things for us like receive mail order packages we have sent from various vendors who still just won’t send to Mexico. We ate a bunch of Chinese food and walked all over the city enjoying the warm weather and window shopping – well, some real shopping too. Channeled my inner Shirley (my late mother) and picked up two handbags and a great backpack for travel that I liked at good sale prices. We made a stop at Capezio for new leotards and tights for Rosa’s grandchildren so they have new things that fit them for their dance classes; absolutely essential (well, not so much) makeup items at Sephora – the usual materialist nonsense I am unfortunately prey to. Even Arnold succumbed to temptation and bought a few things for himself.

It turns out that Mother’s violin, the reason for the trip in the first place, will head off to London once again for another go-round with the experts; this time a different group of experts.  In an interesting turn of events, the very British young man we met with at Sotheby’s had a different take on the violin than the Christie’s folks. Probably not totally Italian, maybe mostly British. I somehow figured they would all draw more-or-less the same conclusions about it but there are diverse theories as to its possible origins and even its age. Alas, however, there seems to be general agreement (sorry, Mom) that it ain’t no Guarnerius, in spite of the label inside its f-hole (probably fake) but it IS quite old and of some interest not only because of its age but because of its sound. The dendrochronology study places the wood at about 1681, but of course no one can say exactly when the violin itself was actually MADE from the wood, nor who made it.

But it was of enough interest to the people who saw it so that they decided to take it back to London one more time for further study by still more experts and probable inclusion in a new auction to take place late in October. Now that we are in the middle of this violin escapade, the whole story of how they date these things and appraise them has become quite fascinating to us. In the course of our travels, we’ve had a chance to see a couple of REAL Guarnerius instruments worth a million dollars each – it is a bittersweet experience to see the real deal and realize that Mom’s flights of fancy about her fiddle were just that, flights of fancy. If we get anything reasonable for her violin we will consider ourselves fortunate, but however it happens, we are still basically determined to find a good home for it with an active musician. Sadly, it is still languishing in its case unplayed, though god knows it is racking up a lot of airline miles. However, on the plus side, the young man from Sotheby’s heard someone play it somewhere along the line and thought it had a really “sexy” sound, so that apart from the monetary value of these things, it is nice to know that there is at least some interest in their function as actual musical instruments.  We actually think we might try to head to London with my sister Wendy and be present at the auction if it really happens as scheduled; we suspect that it could be a really fascinating adventure and a great trip for the three of us. We’ll see how the mileage gods treat us when we try to get those elusive international plane tickets!

Back in Ajijic on the home front, the visa pesadilla (nightmare) continues unabated. We of course have heard nothing from Immigration about the status of our request for new visas, and we are hearing more and more of people who have been stalled in the system far longer than we have. No one who is selling a house here, for whatever reason – like us, just wanting to move into a different place, or others who are returning “home” to Canada or the States for some reason, wants to pay the enormous tax the Mexican government will charge you on sale of a home without one of these permanent visas. So of course everyone and their brother is lining up to get one and the delays seem to be longer instead of shorter.  People are getting paranoid about it…is it some sort of diabolical revenge for the horrid way Americans have treated Mexicans living up there?

Or at least it feels that way. Nevertheless we also need this visa to sell OUR house (whenever it sells, which of course could be years from now, but one never knows in real estate….), and the seller of the house we are purchasing needs it to avoid the taxes SHE would have to pay, and on up (or down) the food chain, the seller of the house she is in turn planning to buy also needs this visa. We all put our paperwork in, signed, sealed and delivered months ago, but none of us seem to be getting anywhere in the system. Or if we are, it is at a snail’s pace. Until everyone in the line gets their visa, no one can conclude their real estate transactions, so here we all sit, if not physically, then metaphorically, twiddling our thumbs. Everyone has heard or experienced different things about the delays; but the reality is that we are stuck in the mire of the impenetrable and inscrutable Mexican bureaucracy with nowhere really to turn; the most cynical of the impatient expats in the proverbial line with us lament that unlike the good old days, there isn’t even anyone to bribe any more because Mexico is trying to clean up its act. You feel like you are coming face to face with one of those gigantic La Venta carved stone heads they have on display at the Xalapa archaeological museum: impassive, unresponsive, and very ancient. Things have, whether we like it or not, always been this way here.

In our case, the delay doesn’t especially matter because there are very few buyers in town now and there have been hardly any showings of our house, so we aren’t panicked about that – but it has delayed our closing – and hence our taking possession – on the new house, for what will may be a few more weeks or months, but we really just don’t know. So it’s more limbo. We don’t really want to start packing up for the move too seriously because it’ll be just our luck that when we do there will be a further delay and there I will be frustrated because I’m unable to find my potato peeler – or something essential like that. So here we sit, ready to move forward, especially after all the trauma with my mother’s death, to begin our “next chapter” – but we can’t.

But we are trying to do what we can do at this end, which mostly means throwing stuff out or donating what we are pretty sure we can do without, to lighten up the load when moving day does finally roll around. Arnold has begun a major sweep through all his CDs and DVDs to try to eliminate everything he feels he can do without, or reorganize it so it can be easily unpacked and found at the other end. For the past week at least, every time I have walked into his office, he’s had Mahler on – since of course when you pull the CD off the shelf, if you haven’t heard it in a while you MUST listen to it. He’s made it through most of the symphonies and now to the songs, and a wonderful rendition of “Der Abschied” caught my attention when I went in to his office to tell him that dinner was ready.

I said, “More Mahler? It’s been a week of pure Mahler symphonies down here!” “Yes,” he said, “Well, I’m working my way through the alphabet and I’m kind of in the middle, at the M’s.” Sort of in the middle, I thought, and here we are still stuck, also in the middle of all these huge changes in our lives. Ye gods, such a frickin’ drag. We are both sick of the stallling, the e-mails and phone calls with the news of more delays, the uncertainty, by now. We were ready to pack up and move weeks and weeks ago. But the music is and was, of course, absolutely wonderful and in a weird way it has calmed me down. I have realized that I would actually quite happily listen to another several weeks of Mahler floating into the kitchen if I had to, so I decided that I need to be more Mexican about this whole situation and let my American impatience and need for precision and proactivity go. At least for now, I keep telling myself  “You know, relax, it’s just not that bad that we can’t move forward quite yet – we can stay here as long as we need to, this house hasn’t sold, no one is throwing us out into the street.” The rains have started up in earnest, it’s cool and nice out, the hills are green. Things may be stalled and we may be mightily irritated, but in fact, they could be far, far worse.

Violin Round II

Last October, we left my mother’s violin in the hands of the fine instrument curator at Christie’s in New York,  who sent it off, as he said he would, to have dendrochronology studies done on it by colleagues in London. The violin was duly shipped there and the studies done, with interesting news both pro and con in terms of its history and value.

The study of the wood of the violin – the dendrochronology process itself – is  fascinating, and it reveals some other interesting possible facts about the violin. They matched it to the wood grain samples in their databases and concluded that  it is definitely quite old, possibly even late seventeenth century. And as my family and others have known all along, it is apparently unequivocally NOT a 100%  Guarnerius. The label it has inside the f-hole  remains something of a mystery but the feeling from all the experts who looked at it is that it is not from the workshop of Guarnerius, but the wood is similar to that used by the Guarnerius atelier. Interesting, but bye-bye fantasies of selling Mom’s fiddle to Joshua Bell for gazillions of dollars. However, such is the state of classical music that I just read somewhere that Joshua was able to play in the New York subway for hours with no one recognizing him or, apparently, noticing that this cat was pretty bloody good for a street musician, so maybe that plan wouldn’t have worked after all. Plus we know he already has a perfectly reasonable Strad, maybe even several! Onward and upward, I guess.

We had left the violin with Christie’s as they had told us that their next fine instruments auction was planned for sometime in November, and they planned to put the violin up for sale in that auction, as they would have a better handle on its provenance by then with the dendrochronology studies having been completed. And someone seems to have gotten around to playing it during its New York-London sojourn,  because it had been noted along the way that it has a wonderful sound.  Since my feeling about  the whole escapade as been that it would be terrific to get the violin back  into the hands of someone who will actually play it and bring it back to life, this was good news. We figured we would plan a trip to New York to be present for the auction, as much for curiosity as anything else (and of course we did take a look at the Met opera schedule), but got on with our lives as we figured it was safe and sound till then in Christies’ vault, and kind of let sleeping violins lie.

However, a few weeks ago Arnold  received an unexpected call from the folks at Christie’s. The bad news: It now turns out that both they and Sotheby’s have apparently decided to get out of the fine instruments business, and the fall auction has been cancelled, and would we please come and get our violin out of their vault. The good news:  Two gentlemen from Sotheby’s in London, experienced fine instruments experts, had left the firm and started their own specialized auction house for fine instruments, and they were very much interested in seeing our violin. Could we possibly arrange to be in New York in late June when they would be visiting from London and bring the violin to them for examination? Presumably, if they liked it, they would pick it up from us and put into THEIR next auction in London, coming up in a few months. It took us a nanosecond to decide to do this – first of all, the violin is far better off with these folks than it is with us languishing — and enduring a house move — with us here in Mexico, and it gives us a great excuse to take care of some business and have a little fun (I of course need various and sundry indispensable items for the new house, important things like a new kitchen timer as mine just bit the dust) at the same time.

So off to Nueva York we go, and we’ll get back from there just a couple of weeks before when our closing on the new house is supposed to  take place. The violin will now embark, one expects, on its second trip to London while we manage only to get to New York for a few very busy days, and then race home to deal with more immediate domestic matters. We don’t seem to be able to get the “nip off to London” thing right (Violin 2, us zero) but I am grateful for whatever I can get at this point.