It was a whirlwind trip to New York, and a nice diversion from the waiting, waiting, waiting for our interminable visa and real estate messes to resolve themselves. So, well, why not opt for a little retail recreation while we remain on hold?  We stayed in my favorite hotel on the Upper West Side, where we’re near all Arnold’s favorite haunts (Zabar’s!) and within walking distance of Lincoln Center. The hotel folks are getting to know us and are willing to do nice things for us like receive mail order packages we have sent from various vendors who still just won’t send to Mexico. We ate a bunch of Chinese food and walked all over the city enjoying the warm weather and window shopping – well, some real shopping too. Channeled my inner Shirley (my late mother) and picked up two handbags and a great backpack for travel that I liked at good sale prices. We made a stop at Capezio for new leotards and tights for Rosa’s grandchildren so they have new things that fit them for their dance classes; absolutely essential (well, not so much) makeup items at Sephora – the usual materialist nonsense I am unfortunately prey to. Even Arnold succumbed to temptation and bought a few things for himself.

It turns out that Mother’s violin, the reason for the trip in the first place, will head off to London once again for another go-round with the experts; this time a different group of experts.  In an interesting turn of events, the very British young man we met with at Sotheby’s had a different take on the violin than the Christie’s folks. Probably not totally Italian, maybe mostly British. I somehow figured they would all draw more-or-less the same conclusions about it but there are diverse theories as to its possible origins and even its age. Alas, however, there seems to be general agreement (sorry, Mom) that it ain’t no Guarnerius, in spite of the label inside its f-hole (probably fake) but it IS quite old and of some interest not only because of its age but because of its sound. The dendrochronology study places the wood at about 1681, but of course no one can say exactly when the violin itself was actually MADE from the wood, nor who made it.

But it was of enough interest to the people who saw it so that they decided to take it back to London one more time for further study by still more experts and probable inclusion in a new auction to take place late in October. Now that we are in the middle of this violin escapade, the whole story of how they date these things and appraise them has become quite fascinating to us. In the course of our travels, we’ve had a chance to see a couple of REAL Guarnerius instruments worth a million dollars each – it is a bittersweet experience to see the real deal and realize that Mom’s flights of fancy about her fiddle were just that, flights of fancy. If we get anything reasonable for her violin we will consider ourselves fortunate, but however it happens, we are still basically determined to find a good home for it with an active musician. Sadly, it is still languishing in its case unplayed, though god knows it is racking up a lot of airline miles. However, on the plus side, the young man from Sotheby’s heard someone play it somewhere along the line and thought it had a really “sexy” sound, so that apart from the monetary value of these things, it is nice to know that there is at least some interest in their function as actual musical instruments.  We actually think we might try to head to London with my sister Wendy and be present at the auction if it really happens as scheduled; we suspect that it could be a really fascinating adventure and a great trip for the three of us. We’ll see how the mileage gods treat us when we try to get those elusive international plane tickets!

Back in Ajijic on the home front, the visa pesadilla (nightmare) continues unabated. We of course have heard nothing from Immigration about the status of our request for new visas, and we are hearing more and more of people who have been stalled in the system far longer than we have. No one who is selling a house here, for whatever reason – like us, just wanting to move into a different place, or others who are returning “home” to Canada or the States for some reason, wants to pay the enormous tax the Mexican government will charge you on sale of a home without one of these permanent visas. So of course everyone and their brother is lining up to get one and the delays seem to be longer instead of shorter.  People are getting paranoid about it…is it some sort of diabolical revenge for the horrid way Americans have treated Mexicans living up there?

Or at least it feels that way. Nevertheless we also need this visa to sell OUR house (whenever it sells, which of course could be years from now, but one never knows in real estate….), and the seller of the house we are purchasing needs it to avoid the taxes SHE would have to pay, and on up (or down) the food chain, the seller of the house she is in turn planning to buy also needs this visa. We all put our paperwork in, signed, sealed and delivered months ago, but none of us seem to be getting anywhere in the system. Or if we are, it is at a snail’s pace. Until everyone in the line gets their visa, no one can conclude their real estate transactions, so here we all sit, if not physically, then metaphorically, twiddling our thumbs. Everyone has heard or experienced different things about the delays; but the reality is that we are stuck in the mire of the impenetrable and inscrutable Mexican bureaucracy with nowhere really to turn; the most cynical of the impatient expats in the proverbial line with us lament that unlike the good old days, there isn’t even anyone to bribe any more because Mexico is trying to clean up its act. You feel like you are coming face to face with one of those gigantic La Venta carved stone heads they have on display at the Xalapa archaeological museum: impassive, unresponsive, and very ancient. Things have, whether we like it or not, always been this way here.

In our case, the delay doesn’t especially matter because there are very few buyers in town now and there have been hardly any showings of our house, so we aren’t panicked about that – but it has delayed our closing – and hence our taking possession – on the new house, for what will may be a few more weeks or months, but we really just don’t know. So it’s more limbo. We don’t really want to start packing up for the move too seriously because it’ll be just our luck that when we do there will be a further delay and there I will be frustrated because I’m unable to find my potato peeler – or something essential like that. So here we sit, ready to move forward, especially after all the trauma with my mother’s death, to begin our “next chapter” – but we can’t.

But we are trying to do what we can do at this end, which mostly means throwing stuff out or donating what we are pretty sure we can do without, to lighten up the load when moving day does finally roll around. Arnold has begun a major sweep through all his CDs and DVDs to try to eliminate everything he feels he can do without, or reorganize it so it can be easily unpacked and found at the other end. For the past week at least, every time I have walked into his office, he’s had Mahler on – since of course when you pull the CD off the shelf, if you haven’t heard it in a while you MUST listen to it. He’s made it through most of the symphonies and now to the songs, and a wonderful rendition of “Der Abschied” caught my attention when I went in to his office to tell him that dinner was ready.

I said, “More Mahler? It’s been a week of pure Mahler symphonies down here!” “Yes,” he said, “Well, I’m working my way through the alphabet and I’m kind of in the middle, at the M’s.” Sort of in the middle, I thought, and here we are still stuck, also in the middle of all these huge changes in our lives. Ye gods, such a frickin’ drag. We are both sick of the stallling, the e-mails and phone calls with the news of more delays, the uncertainty, by now. We were ready to pack up and move weeks and weeks ago. But the music is and was, of course, absolutely wonderful and in a weird way it has calmed me down. I have realized that I would actually quite happily listen to another several weeks of Mahler floating into the kitchen if I had to, so I decided that I need to be more Mexican about this whole situation and let my American impatience and need for precision and proactivity go. At least for now, I keep telling myself  “You know, relax, it’s just not that bad that we can’t move forward quite yet – we can stay here as long as we need to, this house hasn’t sold, no one is throwing us out into the street.” The rains have started up in earnest, it’s cool and nice out, the hills are green. Things may be stalled and we may be mightily irritated, but in fact, they could be far, far worse.